Bring your images to life!
The common-sense, by-the-numbers approach of
Professional Photoshop has changed the way professional
retouchers, photographers, and artists prepare their files
for print. Although many of the corrections are technically
difficult, the concepts are logical and can be understood
even by color beginners. This extensively revised edition,
covering versions through Photoshop 7, continues the
tradition of introducing astoundingly effective, previously
unknown methods.
Here's what the experts had to say about the
best-selling Professional Photoshop 6:
"This is the best guide to color
correction there is,
period. The information on color correction by the numbers
is invaluable for anyone involved with the commercial
application of photography and is especially pertinent for
digital photography that can be used in print. This is a
book that you will want to re-read numerous times."
-Lee Varis, Digital Photography for Graphic Designers
"Dan is the experts' expert on the logical and effective
ways to make any
image look its best when printed. He has a
very likable writing style that integrates metaphors and
examples from other disciplines to engage your interest and
explain his techniques."
-Jay Nelson, Design Tools Monthly
"The cover would have you believe that this is a book about
digital prepress color correction, which is like saying
that Leonardo da Vinci was a medical illustrator. Margulis'
real agenda is to teach us to look critically at digital
images, to understand what we see, and finally how to
reason from our understanding toward an image we can take
pride in. Best of all, this book is a fun read about a
subject that's hardly a great party topic, written with
wit, and illustrated with impressive corrections of some
profoundly discouraging original images."
-User manual for dPhoto software
In addition to its relentless exploration of curves, this
volume teaches:
- The uses of LAB color correction
- How to bring out detail in the most important areas of
the image
- Precision control of unsharp masking
- Channel blending to build contrast
- The pivotal role of the black plate
- Blending in Luminosity mode
- Custom profiles to correct hopeless images
- A powerful new overlay blend method that will
revolutionize the handling of faces
- Control of all facets of the separation process
- The unwanted color and how to exploit it
- Correcting for factors beyond the photographer's
control
Includes a CD-ROM containing many of the images plus
extra instructional material!
Contents
- Preflight: What Shall We Do with This Image?
- Color Correction By the Numbers
- The Steeper the Curve, The More the Contrast
- Sharpening with a Stiletto
- Plate Blending as Poetry
- Inferences, Illusions, and When to Bet the Image
- In Color Correction The Key Is the K
- RGB Is CMY
- HSB Is LAB
- Friend and Foe In Black and White
- All Colorspaces Are One
- Making Things Look Alike
- Managing Separation And Color Settings
- The Great Dot Gain Gamble
- Resolving the Resolution Issue
- Changing the Rules After the Cards Are Dealt
- Friend and Foe in Color
- Every File Has Ten Channels