Computer-generated
visual effects are now used extensively
in feature
films, commercials, music videos, and multimedia. The
backbone of this
process, the final and most important step, is known as
digital
compositing.
The Art and Science of Digital
Compositing is a
comprehensive reference that provides a complete overview
of the
technical and the artistic nature of this process. This
book covers a
wide range of topics from
basic image creation,
representation, and
manipulation, to a look at the visual cues that are
necessary to create a
believable composite. Designed as both an introduction to
the field as
well as a valuable technical reference, this book should
be of interest to
both novices and professionals alike.
Written by a working professional in the visual effects
industry, the
book provides over 250 different images and illustrations
(including a
40-page color insert) as well as a complete glossary of
compositing
and visual-effects terminology. Also included are in-depth
case studies
from well-known films such as Speed, Independence Day, and
Titanic.
Table of contents
Acknowledgments
Preface
Chapter 1: Introduction to Digital Compositing
Chapter 2: The Digital Representation of Visual
Information
Chapter 3: Basic Image Manipulation
Chapter 4: Basic Image Compositing
Chapter 5: Matte Creation and Manipulation
Chapter 6: Time and Temporal Manipulations
Chapter 7: Image Tracking and Stabilization
Chapter 8: Interface Interactions
Chapter 9: Image Viewing and Analysis Tools
Chapter 10: Formats: Media, Resolution, and Aspect
Ratios
Chapter 11: Quality and Efficiency
Chapter 12: Learning to See
Chapter 13: Creating Elements
Chapter 14: Integration Techniques
Chapter 15: Advanced Topics
Chapter 16: Case Studies
Appendix A: Digital Compositing Software: Tools and
Features
Appendix B: Digital Compositing Software:
Manufacturers
Appendix C: Digital Image File Formats
Appendix D: Common Film and Video Formats
Bibliography
Glossary
Index